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Published. Interview on 20-06-2014 (Friday) at 10 am Venue: College Auditorium

Tuesday, December 17, 2013

UGC Seminar scheduled and Call for Papers Announced

UGC Seminar scheduled and Call for Papers Announced

UGC Sponsored National Seminar on “Dissonant Voices: Cultural Studies and
New Literatures” organized by the Department of English is scheduled on 30 & 31 January 2014.

OBJECTIVES
The seminar aims at introducing the plurality of discourses that invests cultural studies an anti-disciplinary status and the disjuncture in the theoretical formulations on its application in the analysis of new literatures for the benefit of students, researchers and teachers of humanities. It shall showcase the diversity of perspectives on cultural studies and analyze the problematic in addressing new literatures as a distinctive category.   It shall offer a platform for meaningful discussions and deliberations on cultural studies, new literatures and discourses of power.
THRUST AREAS
·         Cultural studies and theoretical foundations
·         New Literatures and the literary canon
·         Patterns and politics of representation in discourses of power  
·         Application of Cultural Theory on New Literatures
·         National literatures and cultural discourses
·         New literatures in translation
·         Other related areas
·          
IMPORTANT DATES
·         Last date for submission of abstracts (soft copy)       : 07 January 2014
·         Last date for submission of full paper (soft copy)      : 18 January 2014.

Authentic and unpublished papers will be published as a book with ISBN.

FORMAT FOR PAPERS
·         Title: Bold; Times New Roman, Paper size: A4, Font: 12, Double spaced.
·         Abstract: 200 words
·         Paper: 2000-2500 words
·         References should be as per the 7th edition of MLA Handbook.
·         All texts cited should be listed in the Works Cited section at the end of the paper with proper bibliographic details. Also add ‘print’ for printed sources and website URL for e-citations.
Please E-mail your abstracts and papers to gcmengdpt@gmail.com or drdenny@gcmdy.org

FOR FURTHER DETAILS AND COMMUNICATION:

Seminar convener:    Dr. Denny Joseph
Asst. Professor and Head
Mobile: 09656346799.
Joint conveners:          Mr. Shibu K J, Asst. Professor. Ph: 9746826188

                                    Mr. Thomas V. L, Asst. Professor. Ph: 9447955360

Thursday, December 5, 2013

My Last Duchess: Robert Browning

That's my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Fr Pandolf's hands
Worked busily a day, and there she stands.
Will't please you sit and look at her? I said
``Fr Pandolf'' by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, 'twas not
Her husband's presence only, called that spot
Of joy into the Duchess' cheek: perhaps
Fr Pandolf chanced to say ``Her mantle laps
``Over my lady's wrist too much,'' or ``Paint
``Must never hope to reproduce the faint
``Half-flush that dies along her throat:'' such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart---how shall I say?---too soon made glad,
Too easily impressed; she liked whate'er
She looked on, and her looks went everywhere. 
Sir, 'twas all one! My favour at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace---all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men,---good! but thanked
Somehow---I know not how---as if she ranked
My gift of a nine-hundred-years-old name
With anybody's gift. Who'd stoop to blame
This sort of trifling? Even had you skill
In speech---(which I have not)---to make your will
Quite clear to such an one, and say, ``Just this
``Or that in you disgusts me; here you miss,
``Or there exceed the mark''---and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse,
---E'en then would be some stooping; and I choose
Never to stoop. Oh sir, she smiled, no doubt,
Whene'er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together. There she stands
As if alive. Will't please you rise? We'll meet
The company below, then. I repeat,
The Count your master's known munificence
Is ample warrant that no just pretence
Of mine for dowry will be disallowed;
Though his fair daughter's self, as I avowed
At starting, is my object. Nay, we'll go
Together down, sir. Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!

Three Years She Grew in Sun and Shower by Wordsworth

THREE years she grew in sun and shower,
          Then Nature said, "A lovelier flower
          On earth was never sown;
          This Child I to myself will take;
          She shall be mine, and I will make
          A Lady of my own.

          "Myself will to my darling be
          Both law and impulse: and with me
          The Girl, in rock and plain,
          In earth and heaven, in glade and bower,                    10
          Shall feel an overseeing power
          To kindle or restrain.

          "She shall be sportive as the fawn
          That wild with glee across the lawn,
          Or up the mountain springs;
          And her's shall be the breathing balm,
          And her's the silence and the calm
          Of mute insensate things.

          "The floating clouds their state shall lend
          To her; for her the willow bend;                            20
          Nor shall she fail to see
          Even in the motions of the Storm
          Grace that shall mould the Maiden's form
          By silent sympathy.

          "The stars of midnight shall be dear
          To her; and she shall lean her ear
          In many a secret place
          Where rivulets dance their wayward round,
          And beauty born of murmuring sound
          Shall pass into her face.                                   30

          "And vital feelings of delight
          Shall rear her form to stately height,
          Her virgin bosom swell;
          Such thoughts to Lucy I will give
          While she and I together live
          Here in this happy dell."

          Thus Nature spake--The work was done--
          How soon my Lucy's race was run!
          She died, and left to me
          This heath, this calm, and quiet scene;                     40
          The memory of what has been,
          And never more will be.
                                                              1799.

Know Then Thyself by Alexander Pope (1688-1744)

Know then thyself, presume not God to scan 
The proper study of Mankind is Man.
 
Plac'd on this isthmus of a middle state
 
A Being darkly wise, and rudely great:
With too much knowledge for the Skeptic side,
With too much weakness for the Stoic's pride,
He hangs between; in doubt to act, or rest;
In doubt to deem himself a God, or Beast;
In doubt his Mind or Body to prefer;
Born but to die, and reas'ning but to err;
Alike in ignorance, his reason such,
Whether he thinks too little, or too much:
Chaos of Thought and Passion, all confus'd
Still by himself abus'd, or disabus'd;
Created half to rise, and half to fall;
Great lord of all things, yet a prey to all;
Sole judge of truth, in endless error hurl'd:
The glory, jest, and riddle of the world!

A Valediction: Forbidding Mourning by John Donne

As virtuous men pass mildly away,
And whisper to their souls, to go,
Whilst some of their sad friends do say,
'The breath goes now,' and some say, 'No:'

So let us melt, and make no noise,
No tear-floods, nor sigh-tempests move;
'Twere profanation of our joys
To tell the laity our love.

Moving of th' earth brings harms and fears;
Men reckon what it did, and meant;
But trepidation of the spheres,
Though greater far, is innocent.

Dull sublunary lovers' love
(Whose soul is sense) cannot admit
Absence, because it doth remove
Those things which elemented it.

But we by a love so much refin'd,
That ourselves know not what it is,
Inter-assured of the mind,
Care less, eyes, lips, and hands to miss.

Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion,
Like gold to airy thinness beat.

If they be two, they are two so
As stiff twin compasses are two;
Thy soul, the fix'd foot, makes no show
To move, but doth, if the' other do.

And though it in the centre sit,
Yet when the other far doth roam,
It leans, and hearkens after it,
And grows erect, as that comes home.

Such wilt thou be to me, who must
Like th' other foot, obliquely run;
Thy firmness makes my circle just,
And makes me end, where I begun. 
John Donne

Let me not to the marriage of true minds- sonnet 116

Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no! it is an ever-fixed mark
 
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
 
Within his bending sickle's compass come:
 
Love alters not with his brief hours and weeks,
 
But bears it out even to the edge of doom.
   If this be error and upon me proved,
   I never writ, nor no man ever loved.
 

Geoffrey Chaucer’s The Canterbury Tales : Prologue

Here bygynneth the Book 
of the tales of Caunterbury
Here begins the Book
of the Tales of Canterbury
1: Whan that aprill with his shoures soote
2: The droghte of march hath perced to the roote,
3: And bathed every veyne in swich licour
4: Of which vertu engendred is the flour;
5: Whan zephirus eek with his sweete breeth
6: Inspired hath in every holt and heeth
7: Tendre croppes, and the yonge sonne
8: Hath in the ram his halve cours yronne,
9: And smale foweles maken melodye,
10: That slepen al the nyght with open ye
11: (so priketh hem nature in hir corages);
12: Thanne longen folk to goon on pilgrimages,
13: And palmeres for to seken straunge strondes,
14: To ferne halwes, kowthe in sondry londes;
15: And specially from every shires ende
16: Of engelond to caunterbury they wende,
17: The hooly blisful martir for to seke,
18: That hem hath holpen whan that they were seeke.
When April with his showers sweet with fruit
The drought of March has pierced unto the root
And bathed each vein with liquor that has power
To generate therein and sire the flower;
When Zephyr also has, with his sweet breath,
Quickened again, in every holt and heath,
The tender shoots and buds, and the young sun
Into the Ram one half his course has run,
And many little birds make melody
That sleep through all the night with open eye
(So Nature pricks them on to ramp and rage)-
Then do folk long to go on pilgrimage,
And palmers to go seeking out strange strands,
To distant shrines well known in sundry lands.
And specially from every shire's end
Of England they to Canterbury wend,
The holy blessed martyr there to seek
Who helped them when they lay so ill and weal

Tuesday, December 3, 2013

Basic Camera Shots

The given video illustrates the basic camera shots and their terminology as used in film discourses.

Monday, December 2, 2013

Camera angles and shots- Film studies

The following video is helpful to understand camera angles and shots. 

First recorded sound playing to the first moving picture and the first film ever made.

Here is the first recorded sound (1860) playing to the first moving picture (1878) and the first film ever made (1888) in history. It offers a glimpse of what was yet to come and bears testimony to the advancements visual media has achieved now.

Translation Challenge

Here is  an example for what is usually called 'double entendre' in Malayalam language. Can you suggest any similar expression in English?


Post you suggestions in the comment box.

Sunday, December 1, 2013

A Dream of Surreal Science : Sri Aurobindo

One dreamed and saw a gland write Hamlet, drink
At the Mermaid, capture immortality;
A committee of hormones on the Aegean’s brink
Composed the Iliad and the Odyssey.

A thyroid, meditating almost nude
Under the Bo-tree, saw the eternal Light
And, rising from its mighty solitude,
Spoke of the Wheel and eightfold Path all right.

A brain by a disordered stomach driven
Thundered through Europe, conquered, ruled and fell;
From St. Helena went, perhaps, to Heaven.
Thus wagged on the surreal world, until

A scientist played with atoms and blew out
The universe before God had time to shout.


Ask your questions related to this poem in the comment box and initiate a discussion

Thursday, November 28, 2013

Eve Speaks to God

Ishwarke Eve (Eve Speaks to God)by Kabita Sinha

I was first
to realize
that which rises
must fall
inevitably.
Like light
like dark
like you
I was first
to know.
Obeying you 
or disobeying
means the same.
I was first
to know.

I was first
to touch
the tree of knowledge
first
to bite
the red apple.
I was first,
first—
first to distinguish
between modesty
and immodesty—
by raising a wall
with a fig leaf
I changed things
totally.

I was first.
I was first
pleasure,
my body
consoled
the first sorrow.
I was first
to see
your face
of a child.
Amidst grief and joy
I was first.
I first
knew
sorrow and pleasure,
good and evil,
made life
so uncommon.
I was first
to break
the golden shackles
of luxurious
pleasure.
I was never
a puppet
to dance
to your tune
like 
meek Adam.

I was
rebellion
first
on your earth.

Listen, love,
yes, my slave,
I was the first
rebel—
banished from paradise,
exiled.
I learned
that human life
was greater
than paradise.
I was first
to know.

(translated by Pritish Nandy)

Printable Copy? Click

Wednesday, November 27, 2013

Kamala Das - An Introduction

An Introduction

I don't know politics but I know the names
Of those in power, and can repeat them like
Days of week, or names of months, beginning with Nehru.
I am Indian, very brown, born in Malabar,
I speak three languages, write in
Two, dream in one.
Don't write in English, they said, English is
Not your mother-tongue. Why not leave
Me alone, critics, friends, visiting cousins,
Every one of you? Why not let me speak in
Any language I like? The language I speak,
Becomes mine, its distortions, its queernesses
All mine, mine alone.
It is half English, half Indian, funny perhaps, but it is honest,
It is as human as I am human, don't
You see? It voices my joys, my longings, my
Hopes, and it is useful to me as cawing
Is to crows or roaring to the lions, it
Is human speech, the speech of the mind that is
Here and not there, a mind that sees and hears and
Is aware. Not the deaf, blind speech
Of trees in storm or of monsoon clouds or of rain or the
Incoherent mutterings of the blazing
Funeral pyre. I was child, and later they
Told me I grew, for I became tall, my limbs
Swelled and one or two places sprouted hair.
When I asked for love, not knowing what else to ask
For, he drew a youth of sixteen into the
Bedroom and closed the door, He did not beat me
But my sad woman-body felt so beaten.
The weight of my breasts and womb crushed me.
I shrank Pitifully.
Then … I wore a shirt and my
Brother's trousers, cut my hair short and ignored
My womanliness. Dress in sarees, be girl
Be wife, they said. Be embroiderer, be cook,
Be a quarreller with servants. Fit in. Oh,
Belong, cried the categorizers. Don't sit
On walls or peep in through our lace-draped windows.
Be Amy, or be Kamala. Or, better
Still, be Madhavikutty. It is time to
Choose a name, a role. Don't play pretending games.
Don't play at schizophrenia or be a
Nympho. Don't cry embarrassingly loud when
Jilted in love … I met a man, loved him. Call
Him not by any name, he is every man
Who wants. a woman, just as I am every
Woman who seeks love. In him . . . the hungry haste
Of rivers, in me . . . the oceans' tireless
Waiting. Who are you, I ask each and everyone,
The answer is, it is I. Anywhere and,
Everywhere, I see the one who calls himself I
In this world, he is tightly packed like the
Sword in its sheath. It is I who drink lonely
Drinks at twelve, midnight, in hotels of strange towns,
It is I who laugh, it is I who make love
And then, feel shame, it is I who lie dying
With a rattle in my throat. I am sinner,
I am saint. I am the beloved and the
Betrayed. I have no joys that are not yours, no
Aches which are not yours. I too call myself I.

Thursday, November 7, 2013

Tips for Linguistics

 Terms explained

1.       Linguistic universals
Linguistic universal is a grammatical rule or linguistic feature that is found in all languages. It is a pattern that occurs systematically across natural languages. For example, all languages have Nouns and Verbs; all languages have vowel sounds and consonant sounds. It was an American linguist Joseph Greenberg (1915-2001) who proposed a set of 45 basic universals. Like Noam Chomsky ( universal  grammar) Greenberg sought to discover the universal structures underlying human languages. His approach was functionalist rather than formalist.
2.       Pidgin and Creole
Pidgin and Creole are two language varieties. Pidgin developed for some practical purpose like trading among the people who did not have a common language for communication. Sometimes it is a language between the rulers and the ruled.  Pidgin therefore is a link language. When pidgin becomes the mother-tongue of a speech community it is called Creole. There are many pidgins and creoles used worldwide where colonization took place. A Pidgin English was spoken between the colonists and natives.
3.       Langue and parole
Langue and Parole are two terms used by the structuralist linguist Ferdinand de Saussure to refer to two aspects of language. Langue is the social aspect and parole is the individual aspect of a language. Langue is the conventionally accepted, fixed and abstract underlying system of rules. Parole is concrete individual utterances of a language by its users.
4.       Three term labeling of consonant sounds
1.       Place of articulation
a.       Bilabial, b). labio dental, c). dental,  d). alveolar , e). post-alveolar, f).  palate-alveolar,           g). palatal, h). velar  i).  glottal
2.       Manner of articulation
Plosives, affricates, fricatives, lateral,  nasals, semi vowels(frictionless continuats, approximants)
3.       State of glottis
                Voiced (vocal cords vibrate) and voiceless (vocal cords are wide apart)
5.       Types of phonetics
1.       Articulatory Phonetics (deals with how speech sound is produced)
2.       Acoustic Phonetics (deals with transmission of speech sounds)
3.       Auditory Phonetics (deals with how speech sound are received and perceived)

6.       Function class and formal class
7.       Processes of word formation
8.       Allomorphs
9.       T.G Grammar
Transformational Generative Grammar was proposed by Noam Chomsky in his famous book “Syntactic Structures” in 1957. More discussions on T.G grammar followed in another book “Aspects of the Theories of Syntax” (1965). He questioned the structural approach to the study of Grammar.
The term “Transformational Generative” suggests that there are two independent
10.   General Indian English (GIE)
Indian English is a term applied to the variety of English spoken in any state in India. It is largely different from the RP with respect to vocabulary, pronunciation and speech patterns. It developed as a result of the influence of mother-tongue of the people in India.  As a result of British colonial rule until Indian independence in 1947, English is an official language of India and is widely used in both spoken and literary contexts. Idiomatic forms derived from Indian literary and vernacular language have become assimilated into Indian English in differing ways according to the native language of speakers. Nevertheless, there remains general homogeneity in phonetics, vocabulary, and phraseology between variants of the Indian English dialect

11.   Affix-switch rule
12.   Cases of English nouns
13.   Broad types of memory
14.   Diglossia
In sociolinguistics, Diglossia is a situation in which two distinct varieties of a language are spoken within the same speech community. Often, one form is the literary or prestige dialect, and the other is a common dialect spoken by most of the population.  Sociolinguists may also use the term diglossia to denote bilingualism, the speaking of two or more languages by the members of the same community
15.   Idiolect
In linguistics, an idiolect is a variety of language that is unique to a person, as manifested by the patterns of vocabulary, grammar, and pronunciation that they use. Conceptually, the language production of each person, the idiolect, is unique. The term was coined by linguist Bernard Bloch: from Greek idio(personal, private) + (dia)lect

16.  Implosives
Implosive consonants are stops (rarely affricates) with a mixed glottalic ingressive  airstream mechanism. That is, the airstream is controlled by moving the glottis downward in addition to expelling air from the lungs. In the International Phonetic Alphabet, implosives are indicated by modifying a voiced stop letter with a hook top: É“ É— Ê„ É  Ê›.

17.   Root/stem
The distinction is in the derivation. Stem-word is essentially chopping of the affix/suffix and what remains. Root needs to be a proper and valid word. That is, it must be morphologically the base. Root of went is go, but not the stem. When addition of suffix/affix transforms the root word, then root and stem may not be same.
Root is the smallest meaningful part of a word.
Stem is any morpheme which a syntactical affix can be added to

Base is any morpheme which an affix can be added to.
Example : agree is a root and base at the same time..it is a root because it is bare and an base because dis- and -ment can be added to it.
disagree is a stem because its is a verb and by adding ment it changes to an adjective
dis/ment are affixes.
affixes can't stand alone in languages. they are added to bases that changes both semantically and syntactically.
Root
In morphology, the root is the unit that provides the core meaning and to which affixes may be attached.
Stem
In morphology, the stem is the unit to which affixes are attached.
18.   Adjunct
An adjunct is a part of a sentence.
19.   Demonstrative pronoun and demonstrative adjectives
Words which can be used as adjectives as well as pronouns. This, that, these and those.

Demonstrative pronoun
They can be used to point out something or some one.
Example : This is my brother.

demonstrative adjectives
used in front of a noun as an adjective: Example : These boys are always lazy.


20.   Phonology
21.   Sociolinguistics
Sociolinguistics is a branch of applied Linguistics that examines the interplay of language and society, with language as the starting point.
Sociolinguistics is the study of how language serves and is shaped by the social nature of human beings. In its broadest conception, sociolinguistics analyzes the many and diverse ways in which language and society entwine. It combines insights from a number of disciplines, including linguistics, sociology, psychology and anthropology.
The basic premise of sociolinguistics is that language is variable and changing.  As a result, language is not homogeneous — not for the individual user and not within or among groups of speakers who use the same language.


22.   Types of sentences (word order, meaning and clause structure)
Based on Word order
1. Statements (SVO)
 2. Questions – a: Y/N Questions (Aux V + Sub + Main V+(o)…..?)
                                        B: Information Questions (Question WorAux V + Sub + Main V+(o)…..?)
3.Imperatives (Verb+(o))
4.Exclamatory statement
Based on types of Clauses used
1.Simple – One Main Clause
2.Compund –More than one main clauses
3.Complex – combination of main clauses and subordinate clauses
23.   Conditionals
Sentences in which if or unless is used as conjunction for the purpose of subordination
Type 1. Real condition : Example .If you try hard, you will achieve your goal
Type 2. Unreal condition : Example .If you tried hard, you would achieve your goal
Type 3. Improbable  condition : Example .If you had tried hard, you would have achieved your goal

24.   Minimal pairs
25.   Consonant clusters
26.   Diphthongs
27.   Simple complex and compound words
28.   Inflectional and derivational suffixes
In grammar, inflection  is the modification of a word to express different grammatical categories such as tense, mood, voice, aspect, person, number, gender and case. The inflection of verbs is also called conjugation, and the inflection of nouns, adjectives and pronouns is also called declension.
An inflection expresses one or more grammatical categories with a prefix or a suffix 
In linguistics, derivation is the process of forming a new word on the basis of an existing word, e.g. happiness and unhappy from happy, or determination from determine. It often involves the addition of a morpheme in the form of an affix, such as -ness, un- and -ation in the preceding examples.

Inflectional Morphemes and Derivational Morphemes
"The difference between derivational and inflectional morphemes is worth emphasizing. An inflectional morpheme never changes the grammatical category of a word. For example, both old and older are adjectives. The -er inflection here (from Old English -ra) simply creates a different version of the adjective. However, a derivational morpheme can change the grammatical category of a word. The verb teachbecomes the noun teacher if we add the derivational morpheme -er (from Old English -ere). So, the suffix -er in modern English can be an inflectional morpheme as part of an adjective and also a distinct derivational morpheme as part of a noun. Just because they look the same (-er) doesn't mean they do the same kind of work.

"Whenever there is a derivational suffix and an inflectional suffix attached to the same word, they always appear in that order. First the derivational (-er) is attached to teach, then the inflectional (-s) is added to produce teachers."
(George Yule, The Study of Language, 3rd ed. Cambridge University Press, 2006)

29.   Dialects
30.   Pitch
31.   Assimilation
In Phonetics, change in a sound due to the influence of a neighbouring sound is called assimilation
32.   Auxiliary verbs
33.   Types of clauses, noun clauses and adverbial clauses, finite and non finite clauses

34.   Duality of structure
"Human language is organized at two levels or layers simultaneously. This property is called duality(or 'double articulation'). In speech production, we have a physical level at which we can produce individual sounds, like n, b and i. As individual sounds, none of these discrete forms has any intrinsic meaning. In a particular combination such as bin, we have another level producing a meaning that is different from the meaning of the combination in nib. So, at one level, we have distinct sounds, and, at another level, we have distinct meanings. This duality of levels is, in fact, one of the most economical features of human language because, with a limited set of discrete sounds, we are capable of producing a very large number of sound combinations (e.g. words) which are distinct in meaning."
(George Yule, The Study of Language, 3rd ed. Cambridge University Press, 2006)

Definition : A characteristic of human language whereby speech can be analyzed on two levels: (1) as made up of meaningless elements (i.e., a limited inventory of sounds), and (2) as made up of meaningful elements (i.e., a virtually limitless inventory of words).

Duality of structure was coined by Anthony Gidden . The phrase is used in Chomsky by John Lyons to illustrate the differences between human and animal communication. It is described there as "two levels of grammatical structure." The first  is syntactic structure  and the second is  phonemes.

35.   Adjectival clauses
36.   Front vowels